I’ve been very lucky to work with local model Kataholic. We started off with basic glamour shoots last year, and this year began shooting sets for popular websites Zivity and Suicide Girls. For those of you who haven’t shot for such sites, it is more challenging than I expected. Traditional photographic “rules” for glamour photography don’t always apply. The sites have a very specific look and brand, and you have to follow their guidelines very carefully, or your shots will be rejected.
Of the two, Zivity is a little more free-form and artistic. To generalize a little, they are more fine-art glamour than commercial glamour. They give the photographer a little more free reign to come up with a look, and as long as it is within their style, they seem to be OK with it.
Suicide Girls, on the other hand, is very strict. I wouldn’t consider them commercial glamour, but they are sort of Playboy for alternative glamour (tattoos and piercings), and are very particular about what they want. Conversely, they allow photos to push the envelope a little more, and accept more explicit nudity, fetishism, and other stuff Zivity won’t allow.
Below are a few shots from my most recent shoot with Kataholic that will not be submitted to either site.
I was really looking forward to Photoshop World in Las Vegas this year, not the least because I had signed up for one of the pre-conference workshops, called, “Characters on Location.” The idea was to go on location with a bunch of actors and models, and shoot using a selection of high-end studio lights that are not available to most amateur photographers.
A couple of months after signing up, I learned that the workshop was to be taught by the esteemed Joe McNally, so I was even more excited. Best of all, on the day of the shoot, it turned out we were going to be working at Hardkore Parkour Las Vegas, with a bunch of Cirque du Soleil performers, bodybuilders, and other Extremely Fit People. This was going to be fun!
I’ve posted some of the shots I’m happiest with above. These are pretty much straight out of camera, with only a minimum of retouching on any of them… the models, and the lighting, was that perfect. Much thanks to Joe, Annie Cahill, and the great crew and talent who worked with us all on that day!